In Ultras, director Ragnhild Ekner transforms what could easily be a cacophony of shouting men into a visually intoxicating spectacle of collective passion. The documentary embarks on a journey that subverts expectations, moving beyond mere football obsession to explore the more beautiful, dedicated, and often spiritual prospect of the global Ultras subculture.
Ekner’s cinematography is arresting. Shots of empty stadiums are momentarily poised, projecting an almost Accidentally Wes Anderson aesthetic before seamlessly blending into the fervent, dynamic crowds. The visuals are hypnotic; flags wave in synchronised “tifo” displays, creating an animated tapestry of cheering excitement, scarves, and chanting. It’s hard not to be immersed in the sheer scale of the artistry—the giant banners and flares that are the meticulous creations of these devoted fans, only to be disposed of afterwards: “Where is there space for an 1800ft Banner?” one voice observes. The result is a vibrant, intoxicating visual feast, a testament to their dedication.
However, the film deftly shifts tone to acknowledge the more complex and sometimes darker realities. The final segment, focusing on the terrible 2012 stadium disaster in Egypt where 72 people were killed, is a shocking, sobering pivot. The context of politics and aggression mixing with the game is starkly addressed: “If you’ve been beaten up by cops you’re not going to like cops,” a disembodied voice-over states.
The narrative briefly contrasts this fervour with the modern UK Premier League experience—quiet spectators often glued to their phones—before moving to the more grassroots, passionate world of non-league football in Eastbourne. The distinction is clear: “Professional football just can’t give people the same thing.”
Ekner’s vision is distinct: she consciously steers clear of the familiar, violent “Danny Dyeresque” characters typified in films like The Football Factory. This is not a documentary about wrongdoers who ruin the game; it’s an exploration of the community’s heart and passion. Ekner, an avowed fan herself, has successfully tapped into the beating heart of the real Ultras around the world.
What is delivered is a beautifully composed and visually stunning documentary that immerses the viewer in the rapturous sounds and colours of this global phenomenon. The stunning photography and palpable energy of the captured experience transport you into the thick of the crowd, making Ultras accessible not just for football fans, but for anyone interested in the human need for collective belonging and resistance.
Ragnhild Ekner is a surefire talent to watch, and we can’t wait to see where her unique cinematic eye will take her next.
Ultras is screening at the BFI London Film Festival 2025
